Audiobook!

Audible released the audiobook version of A Gentleman’s Murder the day the book itself was released, taking me a bit by surprise. I didn’t realise they were already done with putting it together. The narrator is Raphael Corkhill, who has a really attractive baritone voice that I could listen to for hours. We’d spoken a few weeks earlier about a couple of pronunciation questions (yes, I do want “Magdalen” to be pronounced “Maudlin”) and he seems like a really smart fellow, too.

The ratings so far are largely positive, but rather annoyingly, the only specifically audiobook review right now is a bit on the negative side. I hope it will be balanced out very soon by other reviews. I can only assume that people were too bowled over by Corkhill’s performance to properly express their enthusiasm.

As part of the audiobook deal, I now have a handful of promotional codes for free audiobook downloads of my book. I’d really like to put them to good use, and I thought it would be a great thing to give them all to libraries for the blind. The problem is … I have no idea where these libraries are, how to find them, or which would get the best use out of a promo code. I’ve been told that libraries will have their own system for lending out purely digital content, and that’s the best assurance I have that a library might even be able to use the promo code at all.

It’s been four weeks, and I’m still hesitating on which libraries or schools for the blind I should try to contact. If anyone has any ideas, I’d love to hear them.

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CrimeFest 2018

I met Martin Edwards at BoucherCon last year, in Toronto, and he convinced me that attending CrimeFest in Bristol this year was The Thing To Do. Mr. Edwards is considered something of an authority on the Golden Age of detective fiction, the sort of thing I’m trying to emulate, so I guess I’m more inclined to listen when he tells me what would be good for my career. It didn’t hurt that my visit to the UK earlier last year only inflamed my latent anglophilia. Cornish pasties ahoy!

Well, I can tell you that CrimeFest is somewhat more intimate than BoucherCon. There’s really a sense of the crime fiction community being like a village where everyone knows everyone else. I was a little worried because I was going into this with no one to depend on for moral support. I knew Mr. Edwards and Cathy Ace to talk to, thanks to BoucherCon, but we’d only just met and hadn’t yet moved any bodies together, as it were. (I was very lucky at BoucherCon to run into Jim Napier on the first day; I knew Mr. Napier from an earlier Crime Writers of Canada event for the Arthur Ellis Awards shortlist, and he was kind enough to take me under his wing.) I suspect I may have come across as something of a creepy spook hanging about the periphery of everybody’s conversations–always wanting to talk but never having anything to say. Maybe once I’ve got my own address in this crime fiction village, and the self assurance that comes with it….

People do seem to agree that the crime fiction community is Really Nice and Friendly. I am pleased to say that, personal creep factor notwithstanding, I have Met People and Made Contacts and all that community integration goodness.

Also, on the second day, I got a twitter notification for a tweet about ME: a picture of my business card, and “Doesn’t hurt that the author (@misericordius) is strolling around #crimefest18 looking terribly dapper in a three-piece suit.”

My twitter handle isn’t on my card, but I guess it figures that crime fiction enthusiasts like to do a bit of detective work on the side. More important is the realisation, that I can never appear at these things dressed in anything else, ever again.

Well, author branding is a thing, and I guess I’ve found my brand. I wonder if I can claim the cost of a new waistcoat in my taxes.

So, what else have I garnered from CrimeFest? I have a stack of books–anyone attending CrimeFest or BoucherCon would be wise to travel light–and I owe Mik Brown a beer. I’ve learnt that apparently I was totally entitled to being on a panel, despite my book not being out quite yet–important thing was that it be in production with an officially scheduled release. Next year, perhaps.

I think I’d like to end with a mention of “Guess Who?” by Chris McGeorge, coming out this September. It strikes me as being a distilled version of exactly the sort of puzzlebox-whodunnit I like, a suspicion bolstered by the fact the guy has a hamster named Agatha Christie.

EDIT: It turns out that “Guess Who?” actually came out on 03 May, and the September thing is (I guess) a second edition. It seems Amazon defaults to the September edition, hence my confusion.

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In glorious spring

As I write this, I am looking at the third or fourth solid day of glorious spring weather: blue skies and cool breezes, and bright sunlight streaming over my terrace. Such a day makes it almost a sin to remain indoors, and it’s just warm enough–more May than April–that I can afford to leave my spring outerwear at home.

One week ago, it was unseasonably cold, practically winter still. I had to put on my winter coat to go out.

Winter was spent deep in intensive edits and rewrites. The final document was “poured” last week, and now it’s being shipped around to various influential people and places for blurbs and reviews. In other words, it is out of my hands, and the weather is almost a reflection of my sudden, new-found freedom.

I’ve attended to the housekeeping, sweeping out three months’ worth of accumulated dust; and I’ve actually cleared out the terrace, which I normally never get around to doing. I might even get around to planting stuff in the pots of dirt I have out there.

But what next? What lies ahead, and where do we go from here?

I think the publication date of 31 July 2018 is pretty certain, now that the vagaries of writing and editing are done. I have a book signing set up at the downtown Indigo for 04 August, and I should arrange more stuff around that time. Some things will be managed on Inkshares’s side, but I still have to uphold my end.

CrimeFest in Bristol is next month. I’m looking forward to Cornish pasties and Bovril.

BoucherCon is in Florida in September. I need to make arrangements.

New business cards will have to be ordered, with the book’s new title, “A Gentleman’s Murder”, and more details about myself. I noticed as I was sorting through all the cards I picked up at the last BoucherCon that I was more inclined to keep the ones with contact information on them; the ones that were clearly only about a book went straight into the trash.

I need to start thinking about a sequel. Ideally, I want a book out every year or so, and I think Inkshares agrees. It’s…very strange and offputting to be starting from scratch now, though. I’ve worked so closely with the world and characters of “A Gentleman’s Murder” that anything else feels unsettlingly unfamiliar, as though I haven’t the foggiest idea what’s what anymore.

In other news, there’s just two weeks left to Spring Thing 2018. I really ought to do some reviews.

And in the meantime, there is light and there is life, and I would be a fool to waste it.

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Story structure: The Merchant of Venice

Sudden epiphany: “The Merchant of Venice” is NOT about Antonio and Shylock and the “pound of flesh” debt, but about the romance between Bassanio and Portia. THAT is the main story; the thing with Antonio and Shylock is, in fact, only a subplot to the main story.

I’m sure someone else somewhere must have come to the same conclusion. If so, I haven’t seen or heard it.

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The Hero Unmasked

I’ve been away for quite a while, and there’s a reason. For the first half of the year, I’ve been buried way-deep into the writing of “The Hero Unmasked!”, a CYOA for Choice Of Games. Well, the game was released on Thursday, and since then I’ve been grinning like an idiot.

You should go check it out. This is the link to the CoG catalogue.

So far, the reviews on Google Play have been overwhelmingly positive. There are a few justified criticisms over on the CoG forum, but I expected that. There’s a bunch of stuff I think I’d have done differently were I to do this again. But a discussion of that, I think, should be saved for a post-mortem some time after the dust has settled.

Right now, I’m too busy grinning like an idiot.

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Your Very First Book

Watching the projects come and go on Inkshares, I’ve noticed a number of projects being pushed as “Book One of a series”. Now, it’s only my opinion, but this seems like a very bad idea. Let me explain why.

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So what happens now?

I submitted my manuscript on the 9th, so now it’s just a matter of waiting for an editor to be assigned to me. This could take a while; I know it was four or five months before “Too Many Controllers” got any stirrings of activity–bad news on that front, but more on that later. Let’s focus on the good news of “Murder at the Veterans’ Club” and the Peterkin franchise.

A sequel is in order, of course. But with the publishing timeline being somewhat longer than I expected, and with the additional time required to properly fund a campaign … plus the sheer chutzpah it would require for me to begin asking for orders on a second book before the first book is even in anyone’s hands…. If I plan on getting the Full Publication deal on something, I think I should probably not start the funding campaign until after the launch of MatVC, which means it could be two years or more in between books. That seems … likely to result in an overall loss of interest.

So, I’m toying with a couple of ideas.

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